About & FAQ’s

Black and white portrait of a young man with dark hair and light skin, looking slightly to the left with a relaxed expression, wearing a dark shirt.

“Movement is my first language -
a way to express, connect… with people, with music, through story. I’m drawn to rhythm, expression, and movement that feels honest, lived-in, and rooted in the moment.”

Group of eleven people smiling and posing together indoors, with a pink and white sign reading 'Pineapple Dance Studios' in the background.
Man being interviewed sitting on a black chair in a hotel lounge area with a gray wall, purple chairs, and framed posters; camera and equipment capturing the interview.

Sean is a choreographer and movement director working across stage, screen, and live events. His work is driven by a simple aim: to create movement that feels true - to the story, the performers, and the world of the piece.

Whether working with actors, dancers, or non-performers, he shapes each process to suit the people in the room and the needs of the production. From bold choreography to subtle physical direction, his approach is always responsive, intuitive, and human.

Frequently Asked Questions

  • I trained at SA Performing Arts in Newcastle upon Tyne and continued developing my craft at studios in London, LA, New York and Sydney. My technical background includes Jazz, Ballet, Musical Theatre, Contemporary and Hip Hop.

    Alongside my core training, I’ve developed a strong foundation in partner dance styles including Swing, Lindy Hop, Charleston, Salsa, Latin and Ballroom, through both training and active involvement in social dance scenes.


  • My style is shaped by whatever best serves the story, the setting, or the sound - whether that’s a piece of music, a scene, or a sense of era. I draw on everything from club culture to musical theatre, fashion to film, and blend it into movement that feels rhythmic, weighted and visually cohesive. Musicality and dynamic shifts are central to how I work - I’m always looking to bring clarity, energy and texture to the frame or stage.

  • Yes - I often work with people who have little or no dance experience.
    My focus is on helping them feel confident in their bodies and find movement that feels natural and expressive. My approach adapts to the needs of the production and the people in the room.

  • Absolutely. I’m fluent in British Sign Language (BSL) and regularly work on sign-integrated or Deaf-led productions. I also support teams with access planning and inclusive communication.

  • BSL isn’t an add-on – it’s treated as a core part of the creative language. I work closely with interpreters, Deaf artists and consultants to ensure it’s embedded meaningfully.

  • Yes - I offer private tuition, choreography coaching and workshops. Get in touch here.

Group of smiling young people gathered in a dance studio or rehearsal space.
A man in a suit watching a dance performance (by Karen Hauer and Gorka Marquez) in a ballroom with chandeliers and purple and pink lighting.

Choreography